“But ‘Switchblade’ Sounds Cooler”
I’ve beat the drum about “switchblades” and “assisted opening knives” nearly to death (see here, here and here for examples), so I wasn’t surprised to get a little pushback to my (alleged) dogma. If you don’t care to read up with those links, the nut of it is that any time you get the itch to write “switchblade” in a story set in modern times, replace it with “assisted opening knife” or “assisted opener.” One writer thanked me for the explanation, “but ‘switchblade’ sounds cooler,” so that would remain the preferred term.
This plays a little into my post about fingers on triggers in book cover artwork in that there might be a middle ground between accuracy and what “sounds cool” (or looks cool, in the case of the art). With knives, “switchblade” rolls off the tongue a lot easier than the clunky “assisted opening knife” or “assisted opener.” The same could be said for “Glock,” “silencer,” “assault weapon” and other technical sins explored in depth in my book, The Writer’s Guide to Weapons.
It’s tempting to default to whatever suits the reader’s expectations about switchblades, silencers, Glocks and assault weapons. The point is to keep the reader in the story, right?
If I agreed with that line of thinking, I’d have no book. I think you owe it to yourself and your readers to use correct terminology and depictions whenever possible. This has everything to do with the plot. When characters use guns and knives, it’s usually not to open a jar of pickles (unless you’re at my house). Something important is happening, and the rest of the story hinges on the what and how of those bullets and blades. Better weapons equals better plot equals happier readers, even if the latter don’t realize the research you pulled to get them there.
Accuracy vs. Bells and Whistles
This formula still works if you choose to embellish reality. Your unrealistic depictions will be better informed by an understanding of guns and knives in reality. You’ll know where to inject the needle full of steroids.
I can’t tell you where to draw that line, though. I can only give you the best information possible to help you make the decision that’s right for your characters and stories.
If You Don’t Like the Term, Make One Up
I will say this, though. I agree that “switchblade” sounds cooler than “assisted opening knife,” although I still prefer to use the latter term in a story. An alternative might be a nickname the character gives the knife (or other weapon that sounds cool but doesn’t represent reality). That gets around making a decision about verbiage, and adds some color to the character.
Another option is to identify the brand name of the knife and call it that. I did this recently on a joint project with Vincent Zandri, where the protagonist carried an ESEE 5 survival knife (pictured above). I didn’t think “survival knife,” “fixed blade knife” or “knife” felt right given the character’s familiarity with blades. So I wrote it as “ESEE” instead, after an initial explanation of the knife to the reader.
Pop Culture is a Wobbly Crutch
Whatever you do, don’t rely on pop culture to inform your weapons (unless my book somehow counts as pop culture). A little research can open up new avenues to your characters and stories that you never thought of before. Your readers will thank you for it.
Now if you’ll excuse me, I need to pump the switchblade clip on my Glock assault revolver.
Get the Book
The Writer’s Guide to Weapons: A Practical Reference for Using Firearms and Knives in Fiction (Writer’s Digest Books) comes with everything but the ammo. Pick up a print or digital copy from these fine retailers: